Sunday, 20 October 2013

An extract from Cedric Watts' foreword to the OUP edition of Heart of Darkness

Critics who allege that Conrad is imperialistic may themselves be practising ideological and temporal imperialism. They assail the text for failing to endorse their own present-day beliefs or prejudices; and thereby they seek to subordinate the literary work to their own systems. ... A literary work may have a diversity of political implications and consequences, but it is not a political manifesto. It is an imaginative work which offers a voluntary and hypothetical experience. ... Awareness of the tentacular complexity of 'Heart of Darkness' may alert to us a current critical tendency: the reductive treatment of past texts in the attempt to vindicate the political gestures of the present ... Naturally readers discuss political aspects of literary texts; but to use political criteria as a 'master-discourse', as the final tribunal of judgement, is to commit an error of categorization. (An equivalent error would be to condemn The Communist Manifesto for lacking the lyricism of Shelley's 'Ode to a Skylark'.)

YES.

An excellently phrased response to the critical literary theories (feminism, post-colonialism, post-modernism) seeking to pigeonhole literature into their own narrow agendas instead of actually reading the text.

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